ResourcesMEDIAWeekly Sharing | Famous Writers' Advice on "Dialogue"

Weekly Sharing | Famous Writers’ Advice on “Dialogue”

Good writers do not litter their sentences with adverbial garbage. They do not hold up signs reading “laughter!” or “applause!” The content of dialogue ought to suggest the mood.

– –James J. Kilpatrick

Nouns, verbs, are the workhorses of language. Especially in dialogue, don’t say, “she said mincingly,” or “he said boisterously.” Just say, “he said, she said.”

— –John P. Marquand

quotes

Dialogue which does not move the story along, or add to the mood of the story, or have an easily definable reason for being there at all (such as to establish important characterization), should be considered superfluous and therefore cut.

— – Bill Pronzini

Remember that you should be able to identify each character by what he or she says. Each one must sound different from the others. And they should not all sound like you.

— – Anne Lamott

Dialogue has to show not only something about the speaker that is its own revelation, but also maybe something about the speaker that he doesn’t know but the other character does know.

– – Eudora Welty

Cook Cockhttps://www.dreame.com/
Obsessed with books, Cook has been a pro writer for more than 15 years. Previously, Cook served as initial reporter contact in news report formulation for Omaha World Herald before shifting to book writing. His writing has been featured on Inc, Lifehacker, and Wired before. In early 2009, he joined Stary as Editorial Director, where she could not only engage his interest in novel writing, but also oversee content strategy and operations. And then, he became editor-in-chief of the Stary writing manangement team in 2012. He graduated from the University of Miam with a B.A. in English writing.
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